Chez La Marchande de Pavots
From the large format album "Le Bonheur du Jour, ou Les Graces a la Mode" assembled and published by Jules Meynial, 1924
La Paresse (Laziness)
from Falbalas & Fanfreluches (1925 - The Seven Deadly Sins series)
I guess this is what Parisians in the 20s liked to do, stay home and smoke opium. haha 
La Fontaine De Coquillages
Gazette du Bon Ton (March 1914 edition No.3, Plate 27). This image shows the Emerging New Woman in the forefront of the New Age, with the traditional in the background, left behind. The theatrical head dress and pearl accessories foreshadow classic 1920's Art deco style.
Mlle. Sorel au Bal du Grand Prix
from Falbalas & Fanfreluches (published in 1924) - George Barbier's tour de force for Meynial of Paris and one of his homages to Cecile Sorel, a highly popular actress and performer of the time. This series of illustrated almanacs was produced from 1922 to 1926 only and depicted life in the fashion, social and artistic capital of the early inter-war years.
Les Columbes Familieres
from La Guirlande d'Art published in Paris from 1919 to 1920
Les Belles Sauvagettes de 1920
From the large format album "Le Bonheur du Jour, ou Les Graces a la Mode" assembled and published by Jules Meynial, 1924.
From the large format album "Le Bonheur du Jour, ou Les Graces a la Mode" assembled and published by Jules Meynial, 1924.
Incantation
from Falbalas & Fanfreluches (1923)
N'en Dites Rien... from La Gazette Du Bon Ton, Issue #10, August 1913
Eventails
From the large format album "Le Bonheur du Jour, ou Les Graces a la Mode" assembled and published by Jules Meynial, 1924.
From the large format album "Le Bonheur du Jour, ou Les Graces a la Mode" assembled and published by Jules Meynial, 1924.
Le Grand Decolletage
From the large format album "Le Bonheur du Jour, ou Les Graces a la Mode" assembled and published by Jules Meynial, 1924.
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